The only version of the ancient Runic system that I’ve used was formulated by Ralph H. Blum. I have the ’93 edition of “The Book of Runes”, though there are many others available. A simple Googling will reveal the breadth of his work.
I use this oracle system when I become enmeshed in thought forms that are persistent. There is usually good reason for the longevity of doubt or negative self-image. I use them when I have to make a judgment call based on factors that are known and intangible, yet felt. I sometimes use them to center my dispersed energies for an important task or meeting. I may question my feelings about specific people and situations.
I never use the runes just for the hell of it. It’s not a parlor game, but a risky route to immediate self-knowledge. Other divination systems such as the I Ching or the Tarot have greater complexity. The 25 glyphs or symbols which comprise the runic alphabet embody energies or propensities which are basic or primal. There are many methods of casting the little stones. I’ve only the simplest method: selecting three random runes from all 25, which are spread on their backsides, then flipped in succession. They are read from right to left; hence, the “reverse” or counter-clockwise presentation of the seasons in this particular rune Harvest (Jera); Fertile Season; One Year.
There is an ancient method of drawing in which a random pattern provides a hallucinatory ground. Leonardo painted a few landscapes this way. The artist Max Ernst perfected the “frottage,” a way of constructing images from rubbings on natural textures. When I see three runes together, I think of the specific energies I have put into motion sparking new thought forms related to the issue I have brought to the surface--like drawing over a pattern does.
I only did a few Rune cards. Life took over.